Search: Starring Halle Berry

Beatty cannot decide whether to exaggerate wacky wrinkliness, or press for prizes in the turkey neck beauty contest.

Berry’s spirited performance really anchors the film, but unfortunately her character’s unbeievable actions also sink it towards the end.

Catwoman is a hybrid of superhero/romance, with a feminist touch.

This is a film that will be enjoyed most by people who haven't seen many other films.

[Brosnan is] put through his paces by Maori director Lee Tamahori and comes out of it stirred, but not shaken.

It's highly intense, superbly photographed and expertly edited entertainment.

Berry is watchable, as always, but isn't exerted, while Cruz and Downey are wasted in small bit parts.

Evan Schiff's editing is probably the best seen in any film of the past year, and Dan Laustsen's cinematography allows director Chad Stahelski to explore noirish landscapes without sacrificing the high energy vibe.

Berry is open to the wounds of a role that stretches her beyond anything she has done before.

Lines around victimhood are rarely clean. Here they're jagged and brittle, fearsome and fearful.

It's as though Marshall gathered together all the subplots from films that never got made or were left on the cutting-room floor and sticky-taped them together end on end to create this horror of a holiday centipede.

It's not high art, but it's highly entertaining.

Robots has a glittering voice cast and astonishing CGI animation and yet is over endowed with too much of this, too much of that and too much of everything.

Travolta revels in his role. Mr Bad suits him and he has the charm to pull it off.

A manipulative weepie positioned for Oscar consideration.

I'm afraid this can't leap buildings in a single bound, no matter what the hype says.

What's good about director Bryan Singer's approach is that he respects the material and so do the actors. There is not a whiff of parody.

What makes this film so enjoyable is the chemistry that holds its ensemble together.

A lot of the scenes seem stilted, or rushed, and there are very few memorable lines.